A couple, a dog, and a walk with no destination

A couple, a dog, and a walk with no destination

A short studio note on A Lifetime's Walk, a charming figurative elderly couple oil painting. It covers why the walk is short, how the dog is rendered, and where the piece fits on a wall.

A couple, a dog, and a walk with no destination

A short studio note on A Lifetime's Walk, a charming figurative elderly couple oil painting. It covers why the walk is short, how the dog is rendered, and where the piece fits on a wall.

Read More
A rider, a horse, and the slowest trip in the studio

A rider, a horse, and the slowest trip in the studio

A short studio note on A Gentle Journey, a textured figurative rider and horse oil painting. It covers why the trip is slow, how the figures are rendered, and where the piece fits on a wall.

A rider, a horse, and the slowest trip in the studio

A short studio note on A Gentle Journey, a textured figurative rider and horse oil painting. It covers why the trip is slow, how the figures are rendered, and where the piece fits on a wall.

Read More
A black cat, a hidden treasure, and a lot of impasto

A black cat, a hidden treasure, and a lot of impasto

A short studio note on A Cat's Treasure, a textured impasto whimsical black cat oil painting. It covers how the black of the cat is built up in three colors, what the treasure is, and where the piece fits on a wall.

A black cat, a hidden treasure, and a lot of impasto

A short studio note on A Cat's Treasure, a textured impasto whimsical black cat oil painting. It covers how the black of the cat is built up in three colors, what the treasure is, and where the piece fits on a wall.

Read More
A school of fish, painted in the time it takes to watch one

A school of fish, painted in the time it takes to watch one

A short studio note on Oceanic Whirl, a school of fish oil painting. It covers why the fish are small and loose, how the water around them is worked, and where the painting fits on a wall.

A school of fish, painted in the time it takes to watch one

A short studio note on Oceanic Whirl, a school of fish oil painting. It covers why the fish are small and loose, how the water around them is worked, and where the painting fits on a wall.

Read More
A wabi-sabi horseman, and why the gold stays put

A wabi-sabi horseman, and why the gold stays put

A short studio note on Golden Lasso, a textured wabi-sabi horseman oil painting. It covers why the figure is loose, how the narrow palette holds the painting together, and where the piece fits on a wall.

A wabi-sabi horseman, and why the gold stays put

A short studio note on Golden Lasso, a textured wabi-sabi horseman oil painting. It covers why the figure is loose, how the narrow palette holds the painting together, and where the piece fits on a wall.

Read More
Why a birch forest is mostly paint, not tree

Why a birch forest is mostly paint, not tree

A short studio note on Blossoming Birch, a colorful impasto forest oil painting. It covers why the original is horizontal, how thick the impasto actually is, and where the painting fits on a wall.

Why a birch forest is mostly paint, not tree

A short studio note on Blossoming Birch, a colorful impasto forest oil painting. It covers why the original is horizontal, how thick the impasto actually is, and where the painting fits on a wall.

Read More