Blossoming Birch is a colorful impasto forest oil painting, and the honest version is that it is mostly paint pretending to be trees. The palette knife did almost all of the work. The birches are vertical strokes of white and cream over a busy green and pink ground, and the leaves are small palette-knife dabs that read as blossom from a step back.
The original is on a wide horizontal canvas, which is what gives the forest room to feel like a forest. A vertical crop would have turned the same paint into a tight bouquet, which is not what the studio wanted. The goal was a window, not a vase. The impasto is thick enough that the canvas sits a few millimeters off the wall when framed, which is normal for this style and worth knowing if you have not owned a heavy-paint piece before.
A horizontal forest works above a sofa, behind a dining table, or on a long wall that is otherwise empty. The color is busy, so the surrounding furniture should stay calm. A linen sofa and a wood table are a good fit. Anything with a strong pattern nearby will fight the painting for attention, and the painting is louder than most. It is the kind of work that wants to be the loudest thing on the wall.
The studio also wants to be upfront that a painting this textured will cast small shadows on the wall behind it if lit from the side. Most people find that charming. A few people do not. If you are in the second group, the painting wants direct front-lighting rather than a side lamp, or a frame with a small gap that keeps the canvas from sitting flush.
One more thing. The original is one of one. The studio does not print this image. If the painting sells, it is gone. The work is not part of a series, and the studio is not planning a second version. The birch forest on the shop is the only birch forest that will exist.
