A floral that is mostly white, painted on a quiet canvas

A floral that is mostly white, painted on a quiet canvas

A short studio note on Alabaster Bloom, a textured impasto floral oil painting. It covers why the palette stays pale, how the texture does the visual work, and where the piece fits on a wall.

A floral that is mostly white, painted on a quiet canvas

A short studio note on Alabaster Bloom, a textured impasto floral oil painting. It covers why the palette stays pale, how the texture does the visual work, and where the piece fits on a wall.

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Why a birch forest is mostly paint, not tree

Why a birch forest is mostly paint, not tree

A short studio note on Blossoming Birch, a colorful impasto forest oil painting. It covers why the original is horizontal, how thick the impasto actually is, and where the painting fits on a wall.

Why a birch forest is mostly paint, not tree

A short studio note on Blossoming Birch, a colorful impasto forest oil painting. It covers why the original is horizontal, how thick the impasto actually is, and where the painting fits on a wall.

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A bull, a bear, and a wide canvas

A bull, a bear, and a wide canvas

A short studio note on Clash of Forces, a panoramic wildlife oil painting of a bull and a bear. It covers why the two animals do not look at each other, where the gold comes from, and the wall size the painting needs.

A bull, a bear, and a wide canvas

A short studio note on Clash of Forces, a panoramic wildlife oil painting of a bull and a bear. It covers why the two animals do not look at each other, where the gold comes from, and the wall size the painting needs.

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