A short studio note on Cascading Color, a colorful textured floral impasto oil painting. It covers how the leaves are worked in palette knife, why the florals stay soft, and where the painting works best on a wall.
A short studio note on Cascading Color, a colorful textured floral impasto oil painting. It covers how the leaves are worked in palette knife, why the florals stay soft, and where the painting works best on a wall.
A short studio note on Intertwine, a textured wabi-sabi abstract oil painting with two figures in three colors. It covers the palette knife work, why the background stays cream, and where the piece works best in a home.
A short studio note on Intertwine, a textured wabi-sabi abstract oil painting with two figures in three colors. It covers the palette knife work, why the background stays cream, and where the piece works best in a home.
A short studio note on Mosaic of Minds, a colorful abstract figurative faces oil painting. It covers how the figures are stacked, why the brushwork stays loose, and what kind of room the painting needs to land well.
A short studio note on Mosaic of Minds, a colorful abstract figurative faces oil painting. It covers how the figures are stacked, why the brushwork stays loose, and what kind of room the painting needs to land well.
A short studio note on Terra Alba, a white textured mountain oil painting. It covers how the piece is built up, why square format works in certain rooms, and what the white ground does for a wall that already has color around it.
A short studio note on Terra Alba, a white textured mountain oil painting. It covers how the piece is built up, why square format works in certain rooms, and what the white ground does for a wall that already has color around it.
