A short studio note on The Gentlemen's Accord, a textured abstract oil painting of three figures in earthy tones. It covers how the impasto is built up, why the palette stays narrow, and what kind of wall the painting needs.
A short studio note on The Gentlemen's Accord, a textured abstract oil painting of three figures in earthy tones. It covers how the impasto is built up, why the palette stays narrow, and what kind of wall the painting needs.
A short studio note on Solitude Sonata, an expressive figurative piano oil painting. It covers why the figure is rendered in silhouette, how the muted palette works, and what kind of room the painting wants to live in.
A short studio note on Solitude Sonata, an expressive figurative piano oil painting. It covers why the figure is rendered in silhouette, how the muted palette works, and what kind of room the painting wants to live in.
A short studio note on a burst of colors oil painting, a colorful abstract floral piece. It covers how the painting was made in a single afternoon, why the colors are so mixed, and where the piece works on a wall.
A short studio note on a burst of colors oil painting, a colorful abstract floral piece. It covers how the painting was made in a single afternoon, why the colors are so mixed, and where the piece works on a wall.
A short studio note on Clash of Forces, a panoramic wildlife oil painting of a bull and a bear. It covers why the two animals do not look at each other, where the gold comes from, and the wall size the painting needs.
A short studio note on Clash of Forces, a panoramic wildlife oil painting of a bull and a bear. It covers why the two animals do not look at each other, where the gold comes from, and the wall size the painting needs.
A short studio note on Cascading Color, a colorful textured floral impasto oil painting. It covers how the leaves are worked in palette knife, why the florals stay soft, and where the painting works best on a wall.
A short studio note on Cascading Color, a colorful textured floral impasto oil painting. It covers how the leaves are worked in palette knife, why the florals stay soft, and where the painting works best on a wall.
A short studio note on Intertwine, a textured wabi-sabi abstract oil painting with two figures in three colors. It covers the palette knife work, why the background stays cream, and where the piece works best in a home.
A short studio note on Intertwine, a textured wabi-sabi abstract oil painting with two figures in three colors. It covers the palette knife work, why the background stays cream, and where the piece works best in a home.
