A short studio note on The Gentlemen's Accord, a textured abstract oil painting of three figures in earthy tones. It covers how the impasto is built up, why the palette stays narrow, and what kind of wall the painting needs.
A short studio note on The Gentlemen's Accord, a textured abstract oil painting of three figures in earthy tones. It covers how the impasto is built up, why the palette stays narrow, and what kind of wall the painting needs.
A short studio note on a textured impasto cityscape sunset oil painting. It covers how the sky was worked in palette knife, why the buildings stay simple, and what kind of lighting the painting needs to land well.
A short studio note on a textured impasto cityscape sunset oil painting. It covers how the sky was worked in palette knife, why the buildings stay simple, and what kind of lighting the painting needs to land well.
A short studio note on Cascading Color, a colorful textured floral impasto oil painting. It covers how the leaves are worked in palette knife, why the florals stay soft, and where the painting works best on a wall.
A short studio note on Cascading Color, a colorful textured floral impasto oil painting. It covers how the leaves are worked in palette knife, why the florals stay soft, and where the painting works best on a wall.
A short studio note on Emerald Hideaway, a green impasto jungle oil painting with two toucans in the canopy. It covers the palette knife work, why the birds sit at the top, and where the painting works best on a wall.
A short studio note on Emerald Hideaway, a green impasto jungle oil painting with two toucans in the canopy. It covers the palette knife work, why the birds sit at the top, and where the painting works best on a wall.
A short studio note on Terra Alba, a white textured mountain oil painting. It covers how the piece is built up, why square format works in certain rooms, and what the white ground does for a wall that already has color around it.
A short studio note on Terra Alba, a white textured mountain oil painting. It covers how the piece is built up, why square format works in certain rooms, and what the white ground does for a wall that already has color around it.
