The third take, in blue and white only

The third take, in blue and white only

A short studio note on a third take of Aegean Crest, a textured abstract seascape in blue and white. It covers why the studio kept the composition, what pulling the color back did, and where the piece fits on a wall.

The third take, in blue and white only

A short studio note on a third take of Aegean Crest, a textured abstract seascape in blue and white. It covers why the studio kept the composition, what pulling the color back did, and where the piece fits on a wall.

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A second take on the same wave, and why the studio painted it twice

A second take on the same wave, and why the studio painted it twice

A short studio note on a second take of Aegean Crest, a textured abstract seascape oil painting. It covers why the studio repainted the same wave, how the palette shifted cooler, and where the piece fits on a wall.

A second take on the same wave, and why the studio painted it twice

A short studio note on a second take of Aegean Crest, a textured abstract seascape oil painting. It covers why the studio repainted the same wave, how the palette shifted cooler, and where the piece fits on a wall.

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A white wabi-sabi set, and what minimalism looks like at the studio

A white wabi-sabi set, and what minimalism looks like at the studio

A short studio note on Aegean Calm, a minimalist white textured wabi-sabi wall art set. It covers why the work is sold as a pair, what the texture does for a white painting, and where the set fits on a wall.

A white wabi-sabi set, and what minimalism looks like at the studio

A short studio note on Aegean Calm, a minimalist white textured wabi-sabi wall art set. It covers why the work is sold as a pair, what the texture does for a white painting, and where the set fits on a wall.

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An egret painting, and why the canvas stays neutral

An egret painting, and why the canvas stays neutral

A short studio note on Coastal Congregation, a textured wabi-sabi egret painting on a neutral canvas. It covers how the birds stay the only white, what the small group is doing, and where the piece fits on a wall.

An egret painting, and why the canvas stays neutral

A short studio note on Coastal Congregation, a textured wabi-sabi egret painting on a neutral canvas. It covers how the birds stay the only white, what the small group is doing, and where the piece fits on a wall.

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A vertical wabi-sabi abstract, and why the tall canvas matters

A vertical wabi-sabi abstract, and why the tall canvas matters

A short studio note on Earthen Rhythm, a vertical wabi-sabi abstract oil painting. It covers why the canvas is tall, how the texture builds from top to bottom, and where the piece fits on a wall.

A vertical wabi-sabi abstract, and why the tall canvas matters

A short studio note on Earthen Rhythm, a vertical wabi-sabi abstract oil painting. It covers why the canvas is tall, how the texture builds from top to bottom, and where the piece fits on a wall.

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A cityscape that is really about a single building

A cityscape that is really about a single building

A short studio note on Urban Oasis, a heavy texture palette knife cityscape. It covers why the composition is cropped tight, how the building pulls forward, and where the piece fits on a wall.

A cityscape that is really about a single building

A short studio note on Urban Oasis, a heavy texture palette knife cityscape. It covers why the composition is cropped tight, how the building pulls forward, and where the piece fits on a wall.

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