A white wabi-sabi set, and what minimalism looks like at the studio

A white wabi-sabi set, and what minimalism looks like at the studio

A short studio note on Aegean Calm, a minimalist white textured wabi-sabi wall art set. It covers why the work is sold as a pair, what the texture does for a white painting, and where the set fits on a wall.

A white wabi-sabi set, and what minimalism looks like at the studio

A short studio note on Aegean Calm, a minimalist white textured wabi-sabi wall art set. It covers why the work is sold as a pair, what the texture does for a white painting, and where the set fits on a wall.

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A vertical wabi-sabi abstract, and why the tall canvas matters

A vertical wabi-sabi abstract, and why the tall canvas matters

A short studio note on Earthen Rhythm, a vertical wabi-sabi abstract oil painting. It covers why the canvas is tall, how the texture builds from top to bottom, and where the piece fits on a wall.

A vertical wabi-sabi abstract, and why the tall canvas matters

A short studio note on Earthen Rhythm, a vertical wabi-sabi abstract oil painting. It covers why the canvas is tall, how the texture builds from top to bottom, and where the piece fits on a wall.

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A black cat, a hidden treasure, and a lot of impasto

A black cat, a hidden treasure, and a lot of impasto

A short studio note on A Cat's Treasure, a textured impasto whimsical black cat oil painting. It covers how the black of the cat is built up in three colors, what the treasure is, and where the piece fits on a wall.

A black cat, a hidden treasure, and a lot of impasto

A short studio note on A Cat's Treasure, a textured impasto whimsical black cat oil painting. It covers how the black of the cat is built up in three colors, what the treasure is, and where the piece fits on a wall.

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A wabi-sabi horseman, and why the gold stays put

A wabi-sabi horseman, and why the gold stays put

A short studio note on Golden Lasso, a textured wabi-sabi horseman oil painting. It covers why the figure is loose, how the narrow palette holds the painting together, and where the piece fits on a wall.

A wabi-sabi horseman, and why the gold stays put

A short studio note on Golden Lasso, a textured wabi-sabi horseman oil painting. It covers why the figure is loose, how the narrow palette holds the painting together, and where the piece fits on a wall.

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A still life that refuses to sit still

A still life that refuses to sit still

A short studio note on Ethereal Feathers, a textured still life oil painting. It covers why the brushwork stays close-up, what happens when the feathers stop being feathers, and where the piece fits on a wall.

A still life that refuses to sit still

A short studio note on Ethereal Feathers, a textured still life oil painting. It covers why the brushwork stays close-up, what happens when the feathers stop being feathers, and where the piece fits on a wall.

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Three figures, an earth-toned palette, and a lot of impasto

Three figures, an earth-toned palette, and a lot of impasto

A short studio note on The Gentlemen's Accord, a textured abstract oil painting of three figures in earthy tones. It covers how the impasto is built up, why the palette stays narrow, and what kind of wall the painting needs.

Three figures, an earth-toned palette, and a lot of impasto

A short studio note on The Gentlemen's Accord, a textured abstract oil painting of three figures in earthy tones. It covers how the impasto is built up, why the palette stays narrow, and what kind of wall the painting needs.

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